San Frediano Convent, Lucca

Description

The restoration of the former convent of San Frediano—long since converted into the Real Collegio—addressed a complex architectural organism shaped by centuries of transformations. The project consolidated roofs and vaults, repaired collapsed portions of cane-vaults, freed the Renaissance loggia from later infills, and used stratigraphic tests to calibrate the uncovering of decorative layers, preserving their superimposed narrative. In the triangular western wing, earlier steel floors were integrated into a new functional layout that introduced a three-flight Botticino stone staircase and a transparent brass-and-glass lift, conceived as autonomous, reversible insertions. Vaulticciole ceilings concealed metal structures, while reopening windows restored diffuse light and views toward the cloister. A complete Diocesan Museum was designed, including brass display cases, fibre-optic lighting, and climate-protected bases for sculpture and liturgical objects; however, the museographic installation was never executed and the artworks were not transferred. Subsequent administrative choices assigned the restored complex to alternative uses. Today the halls host temporary exhibitions, cultural programs, private events, and public functions, while the architectural clarity and spatial continuity achieved through the restoration remain fully legible.